countenance of Productions at theater of the shadow play"a son of Daniel" exemplar
2006, Volume 2, Issue 13, Pages 81-104
AbstractEmploying this research to indicate features Productions (Theatre) offers imagination shadow of the son of Daniel Moussalli, We have tried to take advantage of the research, production techniques of modern features Alajarajeh determined that the work of the son of Daniel; Within levels (optical) and (audio), fit in the final method Jamali and knowledge are addressed with the audience about the essence of driving done (creative) without leave was in the midst of spaces interpretation; speech because the automatic son Daniel is all died ideas and mental movement relation, they are extracted by receiving mental images theatrical running Bhuas spectator engage mental components (experiences /information /expectations /mental and spiritual legacy... etc.), creating a world equivalent Lamah procedure on the one hand, The external compensation Lamah critical on the other hand.
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