The dramatical structure in the theater of imagination"Ibn Danyal typical"
مجلة دراسات موصلیة,
2006, السنة 2, العدد 11, الصفحة 63-82
الملخصThe Drawatical structure is Known as a group of elements which the drawatical work consists of them , and which is judged by the definite relationships which are based on conce and effect among the events which constitute one ordered mode. It is the copability which carries all with the parts , since equipments which make the auther consitute and determine the work to the highest rank of the dramatical value. The elements of the dramatical structure have woked in the shows of Ibn Danyal on the principle of similarity to reality throughout comprehending the educational component which constituted (Icon constructions) in Ibn Danyal imagination. The shows of Ibn Danyal sorts have constituted serman which is on the contrary of reality in it,s two dimension , the political and social and he works on discovering the reality and stripping it , and stirrip up the public conscience against the authority actions and it,s awareness by opposite , and educating in the side which discovers on the aspects of falsity in the society at that time.
This research have shed lights on the activity of dramatical construction by the presentation of it,s elements in the icon constructions and (optical-acoustica) audiovisual costructions which can determined their importance in the consruction of the research paper which is was based on.
The icon construction in the first topic have worked as a mechanism in the theater which shows the imagination and dummies and it transfers these things to Icon concept since they depend or reference of their reality, from the other side the theater is based on the action in all it's shapes and especially that which contact with body (cater-or paper dummy). These abilities give the icon the free moves and activity in building its similarity relationship with the body by it conveying the point of view (special) which the author carries on the bench of theater or in the white screen.
However, the audiovisual construction, it is continuing which works on transporting the consignment between two systems of conversation: (sender/massage/addressee) and taking into account that (sender) in it is recognized in the property of being a series of techniques, means and mechanisms which work on transferring (meaning) to (addressee)-(man) whether he was sitting in the show place or hall or in his daily general life.
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